Current Exhibitions

Constance Fowler, [italics]Heceta Lighthouse, Oregon Coast[/italics], 1938

Constance Fowler, Heceta Lighthouse, Oregon Coast, 1938

Constance Fowler: Tradition and Transition

May 11 – July 21, 2013

Study Gallery and Print Study Center

Constance Fowler (1907-1996) was a painter, printmaker, author, and educator who taught at Willamette University from 1935 to 1947.  Best known for the expressive realism of her paintings and wood engravings produced in the 1930s and 1940s in Oregon, she would eventually work in personal variations of abstract movements that dominated American art after 1950.


John Rock (American, 1919-1993), [italics]First Class Carriage on the Midlands[/italics], no date, lithograph, 21 in. x 14 in., Hallie Ford Museum of Art, gift of Jon Jay Cruson, 2006.033.001.

John Rock (American, 1919-1993), First Class Carriage on the Midlands, no date, lithograph, 21 in. x 14 in., Hallie Ford Museum of Art, gift of Jon Jay Cruson, 2006.033.001.

On Demand

May 21 – August 4, 2013

Maribeth Collins Lobby

The Hallie Ford Museum of Art invited their Facebook friends to curate an experimental exhibition entitled “On Demand.” 


Upcoming Exhibitions

John Rock (American, 1919-1993), [italics]First Class Carriage on the Midlands[/italics], no date, lithograph, 21 in. x 14 in., Hallie Ford Museum of Art, gift of Jon Jay Cruson, 2006.033.001.

John Rock (American, 1919-1993), First Class Carriage on the Midlands, no date, lithograph, 21 in. x 14 in., Hallie Ford Museum of Art, gift of Jon Jay Cruson, 2006.033.001.

On Demand

May 21 – August 4, 2013

Maribeth Collins Lobby

The Hallie Ford Museum of Art invited their Facebook friends to curate an experimental exhibition entitled “On Demand.” 


Holly Andres, [italics]The Secret Portal[/italics], 2008

Holly Andres, The Secret Portal, 2008

Holly Andres: The Homecoming

June 1 – August 4, 2013

Melvin Henderson-Rubio Gallery

Holly Andres is a Portland photographer who creates stunningly beautiful and evocative color photographs that deal with personal narrative and feminist subjectivity. Her imagery, says Andres “…relies on the tension between an apparently approachable subject matter and a dark, sometimes disturbing subtext.”  A major exhibition of her work will open on June 1 and continue through August 4, 2013, in the Melvin Henderson-Rubio Gallery.


[italics]Head of Gudea[/italics], Iraq, possibly from Telloh, Second Dynasty of Lagash, reign of Gudea, ca. 2144-2124 BCE, diorite, 3 ¾ x 3 ½ x 3 ½ in. (9.5 x 9 x 9 cm). University of Pennsylvania Museum of Anthropology and Archaeology, B16664

Head of Gudea, Iraq, possibly from Telloh, Second Dynasty of Lagash, reign of Gudea, ca. 2144-2124 BCE, diorite, 3 ¾ x 3 ½ x 3 ½ in. (9.5 x 9 x 9 cm). University of Pennsylvania Museum of Anthropology and Archaeology, B16664

Breath of Heaven, Breath of Earth: Ancient Near Eastern Art from American Collections

August 31 – December 22, 2013

Melvin Henderson-Rubio Gallery

The Hallie Ford Museum of Art at Willamette University is pleased to present “Breath of Heaven, Breath of Earth: Ancient Near Eastern Art from American Collections.” This major exhibition will feature 64 ancient artworks that date from approximately 6000 BCE to 500 BCE and encompass the geographic regions of Mesopotamia, Syria and the Levant, Anatolia and Iran. 



Permanent Exhibitions

Carl Hall: [italics]Fog Women Totem[/italics]

Carl Hall: Fog Women Totem

On The Edge: Pacific Northwest Art from the Permanent Collection

On permanent view

Carl Hall Gallery

The exhibition begins with the story Oregon’s pioneers of modernism and moves through the present day. On view are works created in the 1930s by artists such as C.S. Price, Charles Heaney, Amanda Synder and Constance Fowler, Willamette Valley and Central Coast artists Carl Hall, Nelson Sandgren and Ruth Dennis Grover, along with well-known mid-century Oregon modernists such as Michele Russo, George Johanson, Louis Bunce, Lucinda Parker, Lee Kelly and Manuel Izquierdo. The gallery also includes a rotating selection of works by contemporary artists from Oregon, Washington, Idaho and Montana.

This gallery is named for Carl Hall (1922-1996), who taught at Willamette University for nearly 40 years and painted a luminous record of his response to the region.

View the Northwest Collection


[italics]Tillamook Wallet Basket[/italics]

Tillamook Wallet Basket

Ancestral Dialogues: Conversations in Native American Art

On permanent view

The Confederated Tribes of the Grand Ronde Gallery

Featuring works from the museum’s permanent collection of American Indian art, this exhibition is organized around the concept of dialogue. The focus is on native art history as a dynamic, rich legacy from which contemporary arts grow today. Art works are placed in conversation, juxtaposed so that the work of many generations is in visual dialogue across time, telling stories of creation, transformation, and renewal. Historic baskets, bags, regalia, and lithics are displayed side by side with contemporary art works by artists such as Rick Bartow, James Lavadour, Bud Lane, Lillian Pitt, Pat Courtney Gold, and Joe Feddersen among many others.


[italics]Relief of a Servant[/italics]

Relief of a Servant

Across Continents, Through Time

On permanent view

Mark and Janeth Sponenburgh Gallery

This exhibition features selections from the museum’s European, Asian, and American Collections, which span 4,500 years and encompass four continents: Europe, Asia, Africa and North America. On view are paintings, ceramics, prints, sculptures, textiles, architectural fragments, archaeological artifacts, Orthodox icons and decorative arts that will deepen visitors’ appreciation for artworks of aesthetic quality and expressive significance from cultural traditions worldwide.

Many of the works of art displayed in this gallery were generously donated to Willamette University in 1990 by Mark and Janeth Sponenburgh, and formed the basis for the creation of the Hallie Ford Museum of Art.


printcenter.JPG

Print Study Center

On permanent view

Print Study Center

The museum’s collections of works on paper – prints, drawings, paintings on paper, and photographs – are stored, studied and displayed in the Print Study Center. The collection includes many contemporary American works, particularly by artists of the Pacific Northwest. Other highlights include etchings by the 17th-century Dutch artist Anthonie Waterloo, and 19th-century American expatriate artist James Abbott McNeil Whistler, as well as an early pictorial photograph by Edward Steichen. Temporary exhibitions in the Print Study Center are designed to highlight works in the permanent collection, and complement and enhance the special exhibitions on view.