Past Exhibitions

Sherrie Wolf: Artemisia Suite: Cherries after Artemisia (detail), 2002.

Sherrie Wolf: Artemisia Suite: Cherries after Artemisia (detail), 2002.

Sherrie Wolf: Object Lessons

August 1 – October 25, 2015

Study Gallery and Print Study Center

Sherrie Wolf is a Portland painter and printmaker whose work juxtaposes traditional still life subjects (bowls of fruit, floral arrangements) with Old Master themes. Organized by Director John Olbrantz, the exhibition features paintings, prints, and other works on paper by the artist drawn from private collections throughout the region.

Mel Katz (American, b. 1937). [italics]Triad[/italics], 2006.

Mel Katz (American, b. 1937). Triad, 2006.

Mel Katz: On and Off the Wall

June 6 – August 23, 2015

Melvin Henderson-Rubio Gallery

This major retrospective exhibition of Portland sculptor Mel Katz (American, b. 1932) chronicles the career of this prolific and dynamic artist who has played a prominent role in the Portland art scene for over 50 years. The exhibition features a veritable forest of Katz’s large scale abstract geometric sculptures drawn from public and private collections throughout the Pacific Northwest, as well as a number of works from the artist’s studio.

[italics] Brass dupondius of Trajan. [/italics] Roman, 98-117 CE. Gift of James and Aneta McIntyre, 2006.010.035.

Brass dupondius of Trajan. Roman, 98-117 CE. Gift of James and Aneta McIntyre, 2006.010.035.

"Point of View"

May 12 – August 23, 2015

Landing to the second floor

In this new exhibition series, we invite members of the Willamette community to share their experience or interpretation of a work of art from the perspective of their area of expertise, study, or research. Each semester we will offer a new work, and a new "point of view."

Mel Katz (American, b. 1937). [italics]Still LIfe[/italics], 2006.

Mel Katz (American, b. 1937). Still LIfe, 2006.

Mel Katz: Drawings and Small Sculptures

May 9 – July 19, 2015

Study Gallery

This exhibition has been organized to introduce visitors to Portland artist Mel Katz’s working process and is intended to supplement a fifty-year retrospective exhibition Mel Katz: On and Off the Wall taking place at the Hallie Ford Museum of Art between June 6 and August 23.

Drawing has always been an important part of Portland artist Mel Katz’s working process. This exhibition features several of Katz's large scale drawings and small sculptures that he uses to work out some of the complex visual problems and challenges that he deals with in his final sculptures and offers valuable insights into the artist's creative process.

Christy Wyckoff (American, b. 1946). [italics]Picture Gorge, NW End[/italics], 2014.

Christy Wyckoff (American, b. 1946). Picture Gorge, NW End, 2014.

Tom Prochaska and Christy Wyckoff: In the Footsteps of Charles Heaney

May 9 – July 19, 2015

Print Study Gallery

During September of 2014, Portland artists Tom Prochaska and Christy Wyckoff embarked on a journey to retrace the footsteps of Portland painter Charles Heaney (1897-1981), who often traveled to remote regions of Eastern Oregon in search of artistic inspiration. The exhibition will feature approximately 30 drawings created by the artists’ during their recent road trip.

"Senior Art Show 2015"

April 18 – May 17, 2015

Melvin Henderson-Rubio Gallery

Each spring, the Hallie Ford Museum of Art features the work of senior art majors at Willamette University. The exhibition represents the culmination of their four years at Willamette.

Characterized by a wide variety of styles and approaches, the exhibition will feature work in a variety of media, including painting, drawing, photography, sculpture and mixed media. In addition, many of the senior art majors will discuss their work as part of free Tuesday gallery talks during the first three weeks of the exhibition.

Alexandra Opie, [italics] Echo no. 236 [/italics], 2014

Alexandra Opie, Echo no. 236 , 2014

"Alexandra Opie: Echo"

April 18 – May 17, 2015

Atrium Gallery

Alexandra Opie is an associate professor of art at Willamette University, where she teaches photography and electronic media. An exhibition of her recent work opens April 18 and continues through May 17, 2015, in the Atrium Gallery. The exhibition features a range of tintype photographs created by the artist during the past two years that explores early portrait photography techniques within a contemporary context.

Myra Albert Wiggins, [italics]Nymphaea[/italics] (detail), 1908

Myra Albert Wiggins, Nymphaea (detail), 1908

"Myra Albert Wiggins: A Photographer's Life"

February 14 – April 26, 2015

Study Gallery and Print Study Center

Myra Albert Wiggins (1869-1956) was a Salem photographer and early member of Alfred Stieglitz’s Photo-Secessionist Group. At the turn of the last century, Wiggins was considered one of the foremost pictorial photographers in America. Organized by Senior Faculty Curator Roger Hull, the exhibition features photographs from the permanent collection as well as documents, journals, and artifacts selected from the Myra Wiggins Collection in Willamette University’s Pacific Northwest Artists Archive.
Roger Shimomura, [italics]Roger Tracy[/italics], 2010

Roger Shimomura, Roger Tracy, 2010

"Roger Shimomura: An American Knockoff"

January 17 – March 29, 2015

Melvin Henderson-Rubio Gallery

Organized by the Museum of Art at Washington State University, the exhibition features the artwork of Seattle native and Lawrence, Kansas-based artist Roger Shimomura, whose paintings and prints address socio-political issues of Asian Americans through a style that combines his childhood interest in comic books with the traditions of American Pop art and Japanese woodcut prints. The exhibition will include approximately 50 paintings and prints from the early 1970s to the present, with an emphasis on his recent work.
Roger Shimomura, [italics]Kabuki Rehearsal[/italics], 2012

Roger Shimomura, Kabuki Rehearsal, 2012

"Roger Shimomura: Works on Paper"

November 8, 2014 – February 1, 2015

Study Gallery and Print Study Center

Throughout his career, Roger Shimomura has made prints, inspired by the same sociopolitical issues that inform his paintings. Organized by Director John Olbrantz to complement Roger Shimomura: An American Knockoff, the exhibition features 26 prints made during the past twenty-five years and drawn from local and regional collections.