Diego Rivera, "La ofrenda (The Offering)", 1931, oil on canvas, 48 ¾ x 60 ½ in., © 2021 Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico, D.F. / Artists Rights Society (ARS), New York.
En Diálogo: Diego Rivera
9 de Abril de 2021 - 17 de Febrero de 2022
Galería Focus en la Mark y Galería Janeth Sponenburgh
La pintura de Diego Rivera “La ofrenda (1931)” es la pieza central de la más reciente exposición del museo En Diálogo, organizada por el Curador de Colecciones y Exposiciones Jonathan Bucci, y que se exhibirá en la galería Focus hasta marzo de 2022. Esta continua serie de pequeñas exposiciones, combina el préstamo de obras de arte de importantes artistas reconocidos internacionalmente con obras de la colección permanente del museo.GALERÍA DE IMÁGENESVIEW IN ENGLISHDiego Rivera, "La ofrenda (The Offering)", 1931, oil on canvas, 48 ¾ x 60 ½ in., © 2021 Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico, D.F. / Artists Rights Society (ARS), New York.
In Dialogue: Diego Rivera
April 9, 2021 – February 17, 2022
Focus Gallery in the Mark and Janeth Sponenburgh Gallery
Diego Rivera’s painting “La ofrenda” (1931) forms the centerpiece for the museum’s newest “In Dialogue” exhibition. This ongoing series of small exhibitions pairs loans of artworks by major international artists with artworks from the museum’s permanent collection.Image Gallery VER EN ESPAÑOL
Terry Toedtemeier, "Lost Boy Cave," 2000
Depth of Field: Selections from the Bill Rhoades Collection of Northwest Photography
January 4 – April 23, 2022
Study Gallery and Print Study Center
The exhibition presents a range of Northwest photographs donated by collector Bill Rhoades over the past few years, and includes works by Robert Adams, Imogen Cunningham, Jim Lommasson, Mary Randlett, and Terry Toedtemeier, among others.
Arvie Smith, "Blondie," 2015
Arvie Smith: Scarecrow
January 22 – March 26, 2022
Melvin Henderson-Rubio Gallery and the Maribeth Collins Lobby
Arvie Smith (American, born 1938) is a nationally recognized Portland, Oregon African American painter and professor emeritus from the Pacific Northwest College of Art who explores issues of race, identity, and systemic racism in his work.Upcoming Exhibitions
Senior Studio Art Majors 2022
April 16 – May 14, 2022
Melvin Henderson-Rubio Gallery
Each spring, the Hallie Ford Museum of Art features the work of senior studio art majors at Willamette University. The exhibition represents the culmination of their four years at Willamette.
Chelsea Couch: boots, bullets, britches, & bologna
April 16 – May 14, 2022
Atrium Gallery
This year’s featured faculty member is Visiting Assistant Professor of Art Chelsea Couch, who teaches sculpture, video art, performance art, and time-based media in the Willamette University Art Department.
April Waters, "Passing of Time" (detail), 2019
April Waters: Water-Ice-Sky, Antarctica
May 7 – August 13, 2022
Study Gallery and Print Study Center
In 2018, Salem artist April Waters (American, born 1954) received a grant from the National Science Foundation to travel to Palmer Station, Antarctica to observe, study, photograph, and sketch the ocean, icebergs, and Marr Glacier. The exhibition features a range of Antarctica paintings created over the past three years as well as text panels that describe her journey and the science being done at Palmer Station.
David Roberts, "Cairo, Looking West" (detail), 1842-49
David Roberts: Artist and Traveler
June 4 – August 27, 2022
Melvin Henderson-Rubio Gallery
David Roberts (Scottish, 1796-1864) was a self-taught painter who rose from the depths of poverty and obscurity in Edinburgh to become one of the most celebrated artists and travelers of his generation. The exhibition features prints, drawings, and watercolors of the Iberian Peninsula and the Middle East on loan from Ken and Linda Sheppard, the Yale Center for British Art, the Pierpont Morgan Library and Museum, and the Huntington Library, Museum, and Garden.Permanent Exhibitions
![Lucinda Parker: [italics]Pinkish Lenticular[/italics]](../images/exhibitions/permanent/hfma-carlhallgallery-lucinda-parker-pinkish-lenticular.jpg)
Northwest Perspectives: Selections from the Permanent Collection
On permanent view
Carl Hall Gallery
Visitors can explore new ideas of landscape, narrative, identity, form and process through a variety of paintings, sculptures and mixed media that highlight both visual and conceptual relationships between historic and contemporary art.
The gallery provides the museum with an opportunity to share many previously unviewed works that capture the rich and varied expressions that have taken place during the past century, which has been marked by rapid changes in the art world, the Northwest and its landscape.
![[italics]Tillamook Wallet Basket[/italics]](../images/exhibitions/permanent/tillamook-wallet-basket.jpg)
Ancestral Dialogues: Conversations in Native American Art
On permanent view
The Confederated Tribes of the Grand Ronde Gallery
Featuring works from the museum’s permanent collection of American Indian art, this exhibition is organized around the concept of dialogue. The focus is on native art history as a dynamic, rich legacy from which contemporary arts grow today. Art works are placed in conversation, juxtaposed so that the work of many generations is in visual dialogue across time, telling stories of creation, transformation, and renewal. Historic baskets, bags, regalia, and lithics are displayed side by side with contemporary art works by artists such as Rick Bartow, James Lavadour, Bud Lane, Lillian Pitt, Pat Courtney Gold, and Joe Feddersen among many others.
![[italics]Relief of a Servant[/italics]](../images/exhibitions/permanent/relief.jpg)
Across Continents, Through Time
On permanent view
Mark and Janeth Sponenburgh Gallery
This exhibition features selections from the museum’s European, Asian, and American Collections, which span 4,500 years and encompass four continents: Europe, Asia, Africa and North America. On view are paintings, ceramics, prints, sculptures, textiles, architectural fragments, archaeological artifacts, Orthodox icons and decorative arts that will deepen visitors’ appreciation for artworks of aesthetic quality and expressive significance from cultural traditions worldwide.
Many of the works of art displayed in this gallery were generously donated to Willamette University in 1990 by Mark and Janeth Sponenburgh, and formed the basis for the creation of the Hallie Ford Museum of Art.
Print Study Center
On permanent view
Print Study Center
The museum’s collections of works on paper – prints, drawings, paintings on paper, and photographs – are stored, studied and displayed in the Print Study Center. The collection includes many contemporary American works, particularly by artists of the Pacific Northwest. Other highlights include etchings by the 17th-century Dutch artist Anthonie Waterloo, and 19th-century American expatriate artist James Abbott McNeil Whistler, as well as an early pictorial photograph by Edward Steichen. Temporary exhibitions in the Print Study Center are designed to highlight works in the permanent collection, and complement and enhance the special exhibitions on view.
![Constance Fowler, [italics]Tidal Drift[/italics]](library/permanent/point-of-view/images/2021/1.jpg)
Point of View
On permanent view
Landing to the second floor
In this ongoing exhibition series, we invite members of the Willamette community to share their experience or interpretation of a work of art from the perspective of their area of expertise, study, or research. Each semester we will offer a new work, and a new "point of view."