As Claire Frances Spaulding MFA/MA’25 prepares to walk across the stage at commencement, she sees in herself a new identity: a Portland artist.

“Transitioning out of my graduate studies to be a peer and fellow artist within the Portland arts scene is still sinking in,” Claire says.
Thanks to the opportunities she’s received at PNCA, Claire will enter the Portland art community with plenty of experience. During graduate school, she attended a studio residency in Vermont and participated in numerous Oregon and California group exhibitions. She’s also attended conferences nationwide, where she says she’s enjoyed sharing her “passion for flamingos and glitter.”

“The confidence I’ve gained through exhibition and conference opportunities is more than I previously thought possible,” Claire says. “If you’d told me three years ago that I’d be creating a 12-by-16 foot fabric sculpture installation as my thesis, I wouldn’t have believed you. Now I can’t wait to continue the work beyond my thesis.”
As a dual-degree student in PNCA’s Critical Studies and Visual Studies programs, Claire has been able to seamlessly blend scholarship and art. A self-described “Kitsch Bitch” with a passion for flamingo lawn ornaments, plastics, and ecology, her work combines environmental criticism and craft. Claire’s work was inspired by her faculty's research and her ability to work with two cohorts of students as part of her dual-degree program.
Rooted in community
She’s also come to appreciate the importance of having an artistic community, something which Claire sees rooted in the Willamette motto.
“As an artist, community engagement is crucial to the growth and development of ideas. ‘Not unto ourselves alone are we born’ speaks to this inherent truth: art doesn’t happen in a vacuum,” Claire says. “Community and care are crucial to the arts. How do we show up for others? What does our feedback and critique offer to another artist? When does personal pedagogy become a social practice?”