2012
Armitage, Amelia
Nineteenth-Century American Picturesque Landscapes: Central Park Landscape Design as Fine Art
Booth, Lydia
Georges de la Tour and the Penitent Magdalene’s
Gallegos, Vanessa
The Visibility of Judith Leyster: a Woman Artist of the Seventeenth Century
Greenwell, Lauren
Photographs that Shaped a Nation: Dorthea Lange, the FSA, and Japanese American Internment
Harms, Valerie Grabow
Artemisia Gentileschi’s "Judith Slaying Holofernes:" The Subversion of the Male Hero
Hill, Alice
A Meta-Critical Study on Sandro Botticelli’s "Birth of Venus"and "Primavera:" A Quest for Meaning
Jones, Lauren
Pieter Bruegel’s "Peasants:" A Scholarly Debate on its Interpretations
Kuhn, Sam
Ceci N’est Pas Un Mystère: An Art Historical Investigation of Reality in David Lynch’s "Twin Peaks"
Lawther, Olivia
A Critical Analysis of Cesare Brandi’s Theory of Restoration with Reflections on Barbara Appelbaum’s Conservation Treatment Methodology
McDowell, Emily
Cute and Radical: A Female Visual Code of Superflat
Main, Reva
William Eggleston: “Father of Color Photography”
Meyers, Jessica
Cultural Receptions of Forgery in 18th and 19th Century Europe
Morehouse, Madeline
Post-Revolutionary Mexican Artists: Their Exploration of a Mexican Identity
Scott, Hayley
The Russ Building: A Case Study of Neo-Gothic Forms in Twentieth Century American Skyscrapers